Tava Cha Ka - The Goddess in Every Form

Oct 16, 2026

तव च का किल न स्तुतिरम्बिके! सकलशब्दमयी किल ते तनुः। निखिलमूर्तिषु मे भवदन्वयो मनसिजासु बहिःप्रसरासु च॥

tava ca kā kila na stutirambike! sakalaśabdamayī kila te tanuḥ । nikhilamūrtiṣu me bhavadanvayo manasijāsu bahiḥprasarāsu ca ॥

Meaning of Tava Cha Ka Kila

O Mother Jagadambika! Is there, indeed, any word in this world that is not a hymn of praise to you? For your very form is composed of all words. O Goddess! In all the thoughts that arise in my mind, as well as in all the forms and images that appear externally, I see only your divine form.

Word by word

तवtava

of you; your

चca

and

काkā

what; which

किलkila

indeed

नna

not

स्तुतिरम्बिकेstutirambike

praise, O Mother Ambika

Sandhi of stutiḥ + ambike.

सकलशब्दमयीsakalaśabdamayī

consisting of all words or sounds

Sakala + śabda + mayī; feminine, qualifying tanuḥ.

किलkila

indeed

तेte

your

तनुःtanuḥ

body; form

निखिलमूर्तिषुnikhilamūrtiṣu

in all forms

Nikhila + mūrti; locative plural.

मेme

for me; in my experience

भवदन्वयोbhavadanvayo

connection with you; your presence

Bhavat + anvayaḥ; final -aḥ becomes -o before manasijāsu.

मनसिजासुmanasijāsu

in those born in the mind

Manasi + ja; feminine locative plural, referring to mūrtiṣu.

बहिःप्रसरासुbahiḥprasarāsu

in those manifesting outwardly

Bahiḥ + prasara; also qualifies the forms.

चca

and

Commentary

The opening question asks what speech could fail to praise Ambika when her own form consists of all words. The compound sakalaśabdamayī makes language itself part of the Goddess's presence, so praise can extend beyond a formal hymn. The second line places forms born in the mind beside forms that appear outwardly, and the speaker recognises a connection with her in both. Bhavadanvaya expresses that connection or pervasion, while me makes this a personal declaration of devotional perception. In daily life, the verse invites a devotee to remember the Goddess while thinking, speaking and attending to the visible world.

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